Alice Corbetta's work is not proposed as an aesthetic theorem whose result is definitive, certain, invariable. Like all creative processes of experimentation, it is, on the contrary, a fluid and possible idea, which through complex phases of work finds its final expression with which it is ultimately delivered to the public. In past years Alice has worked in the field of textiles and fashion, then recovered his past at the Academy of Brera in Milan, fascinated by the work of some great artists (from Antony Tapiès to Alberto Burri, just to name two of the most beloved) began his artistic journey in the name of precious abstract material.
Looking at Alice's work, we are faced with a stratigraphic universe, rich in phases and veils, in which subjectivity becomes her main resource. Dense and material surfaces, the first thing that meets our gaze is their epidermal aspect, recalling emotional geographies. A world of multiple aspects, of worlds "above" but not for this reason superficial, since they come from the depths of his soul, and that if anything in their perceptive deceptiveness, become complex, elusive, and for this reason attractive.