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Oscar Marble Top Low Coffee Table

USD 6,530
Ships in 7-8 weeks
Oscar Marble Top Low Coffee Table - Main view

This chic coffee table conveys sophisticated simplicity with its classic design enriched by precious materials. The elegant round top is crafted of Calacatta Vagli marble with amber veining and grey shading, complementing both the wooden frame and the metal base that plays with concave and convex forms in a sensual style. The ebonized finish of the wood combines with the bright, polished gold matt finish of the metal to create a bold visual effect. This side table can be matched with the tall version in a modern living room for a refined look.

Handcrafted for you in Italy in 7-8 weeks
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Product Details

MaterialWood, Marble, MetalDimensions (cm)W 120 x D 120 x H 42Product referenceMINOCO-003Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

Editor's Picks

It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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