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Ululu EGPL Rug

GBP 11,225
Ships in 1 week
Ululu EGPL Rug - Main view
Customizable

This magnificent rug was entirely hand knotted in Nepal using hand-spun Tibetan wool, which is one of the best and most resistant natural fibers in the world. Its eggplant purple background elegantly complements the mustard yellow of the fine decorative patterns that grace its surface.  Standard sizes: 170x240, 200x250, 200x300, 220x300, 250x300, 250x350, 300x400, 350x420, 350 x500, 400x600 cm and 250x250, 300x300, 400x400 cm. Customization is available.

Handcrafted for you in 1 week
Shipping to United Kingdom: £40

Product Details

MaterialTextileDimensions (cm)W 250 x D 300 x H 1.2Product referenceKRISMI-020Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

Editor's Picks

It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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