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Beige Champagne Bucket

USD 530
Ships in 1-2 weeks
Beige Champagne Bucket - Main view
Free shippingCustomizable

This stylish champagne bucket will keep bottles at the perfect temperature both indoor and outdoor during evening parties, dinner on the boat, or poolside during the summer season. Functional with style, this piece combines the cold finish of the stainless steel with the warm texture of the brown leather and natural rope that covers the exterior, making an elegant stand on both formal and more casual tables.

Handcrafted for you in Italy in 1-2 weeks
Free shipping to United Arab Emirates

Product Details

MaterialStainless steel Leather RopeDimensions (cm)W 20.5 x D 20.5 x H 21Product referenceMARRNA-004Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

Editor's Picks

It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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