Design Icon: Carlo Scarpa
Discover the story of Carlo Scarpa, the visionary Professor, from his years as a director of Venini Glassworks to his career as an architect and his controversies with the Italian associations that accused him of working without an actual degree; and explore how, by subverting the rules and disrupting the status quo, he led a generation of professionals and designers to new ventures in the post-war landscape.
Carlo Scarpa was born in Venice in 1906, and spent the majority of his early childhood from the age of two in the nearby city of Vicenza, where his family relocated, until the death of his mother when he was 13 years old when he relocated back to Venice with his father and brother. Here, Scarpa progressed his studies at the Academy of Fine Arts, focused on architectural studies and graduating with the title of Professor of Architecture, the title reserved to those graduates that still didn't take the professional examination. After apprenticing with architect Francesco Rinaldo, he married his niece, Nini Lazzari.
The end of World War II marked the beginning of his professional career, but because Scarpa refused to sit the pro forma examination established by the Italian government, he never gained the formal title of Architect, and was not allowed to practice the discipline without effectively associating with an architect. This unusual circumstance was the first sign of his rebellious and offbeat personality, and gained him the nickname of "The Professor", used colloquially by his friends, family and even clients throughout his career.
His first exhibitions took place in 1932 at the Venice Biennale and, two years later, at the Milan Triennale.
In 1932, he was nominated art director oh historic glasswork brand
The experience with Venini lasted until 1947, and further launched the brand to international attention, paving the way for collaborations with renowned design icons Alessandro Mendini, Gio Ponti and Ettore Sottsass, to name a few.
If the architecture is any good, a person who looks and listens will feel its good effects without noticing.
His architectural activity reflected these values of sensitivity and attention to detail, aware of the passing of time and detached from movements and trend and focused of conservative restoration of existing structures. From the late 1940s to his death, he was also a professor of drawing and Interior Decoration at the Istituto Universitario di Architettura di Venezia.
Scarpa built most of his work in Venice and the Veneto region, as he was deeply bound to his homeland and to the craftmanship practices and artisanal tradition of Made In Italy, but some of his designs of landscapes, gardens, and buildings can be found in other areas of Italy as well as the United States, Canada, France, Saudi Arabia, and Switzerland.
Some of his more famous renovation and restoration projects in Venice include the Gallerie dell'Accademia, a museum gallery of pre-19th-century art founded in the 1700s, a number of remodeling interventions of Ca' Foscari, the world-famous Gothic palace of a noble Venetian family where he completely redesigned the great hall into a lecture hall, and the interior design of the Olivetti showroom, where he played with the existing art pieces of the Palazzo integrating them with the manufacturer's pieces.
While in Sendai, Japan in 1978, Carlo Scarpa encountered a tragic death after falling down a flight of concrete stairs. Some of his architectural unfinished works were completed years late by his son Tobia, such as the Villa Palazzetto in Monselice, one of Scarpa's most ambitious landscape and garden projects, commissioned by the Cassina representative Aldo Businaro, the man that encouraged Scarpa's first trip to Japan.
During his long career, he was awarded numerous important prize including the Olivetti Prize, the IN / Arch Prize, the Gold Medal of the Ministry of Education for culture and art, and the Prize of the Presidency of the Republic for Architecture, marking his immense influence on the design and artistic landscape in Italy. He was a member of the Royal British Institute of Design, the Olympic Academy of Vicenza and the Accademia Nazionale di San Luca in Rome. His work was presented in Italy and abroad with solo exhibitions at the Museum of Modern Art in New York in 1966, the Venice Biennale in 1968, the Heinz Gallery in London, the Institut de l'Environnement in Paris, and finally in Barcelona in 1978.
Today, he is remembered not only for his many works in Veneto and all around the world, but for his unique style and approach to restoration, being able to combine and interpret existing structures with the utmost attention to details, doing to building what the craftsman does to his materials turning them into a single piece of incredible design.