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Maxima BD 95 Cabinet

USD 25,980
Ships in 11-12 weeks
Maxima BD 95 Cabinet - Main view
Customizable

Minimalist and sophisticated, this cabinet boasts a rigorous silhouette enriched by the carved decorations on the front panels of its two doors. Inside, two drawers and four shelves divide the space, making this a versatile piece of furniture. The interior is in Canaletto walnut, and the exterior boasts a unique Liquid Metal finish with a light bronze color. Part of the Maxima Collection, this sideboard will elevate a contemporary decor and can be combined with the others from the same series for a cohesive look.

Handcrafted for you in Italy in 11-12 weeks
Shipping to Australia: USD 1,570 (Curbside)
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Product Details

MaterialWalnut wood BronzeDimensions (cm)W 110 x D 48 x H 150Product referenceMEROCO-054Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

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It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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