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Duvet Cover Set - Powder Pink Bordeaux

USD 1,310
Ships in 3-4 weeks
Duvet Cover Set - Powder Pink Bordeaux  - Main view
Customizable

Exquisite duvet cover set comes with a quilt cover which has a color block pattern with alternating shades of Powder Pink and Bordeaux in cotton. The fitted sheet is in a white cotton with a satin finish, and the pillow cases are woven in a beautiful dark Bordeaux cotton with a satin finish. Buttons as well as the metal logo plate have been embossed and sport an 18K gold finish.

Handcrafted for you in Italy in 3-4 weeks
Shipping to Canada: USD 40

Product Details

Set1 Duvet Cover + 1 Fitted Sheet + 2 Pillow CasesMaterialCotton, Satin Metal Gold FinishDimensions (cm)240 x 260Product referenceDIMAFI-007Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

Editor's Picks

It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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