The Galatea Light Blue Ceramics Sculpture, is part of the Oceano and Teti Collection. This decorative piece captures the essence of timeless elegance and natural beauty, inspired by the mythological tale of the muse transformed into an artichoke by Zeus. Crafted from white clay, this sculpture showcases a dynamic three-dimensional design. Each petal is intricately shaped to impart a sense of movement and lightness, creating an engaging focal point in any setting. The surface features a vibrant gradient of blues, achieved through crystalline applications that enhance its chromatic depth and provide a captivating glossy finish. Evoking the freshness of the sea and the purity of nature, Galatea serves as both a stunning decorative art piece and a symbol of transformation. Its masterful craftsmanship and artistic narrative make it an exceptional choice for enhancing the aesthetic of sophisticated interiors. Each piece is unique, due to handcrafting, slight changes may occur.
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Discovering the Artisan
Memphis
Lombardia, Italy | Designer
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It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.
The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.
As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.