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Honeycomb Floor Lamp with Wool Lampshade

3.170 EUR
Ships in 1-2 weeks
Honeycomb Floor Lamp with Wool Lampshade - Main view

Designed in collaboration with Sardinian architect Roberto Virdis, this one-of-a-kind lamp will add a touch of softness and radiance to any room with its elegant frame in lightweight black metal arranged in a tripod. A swirl stretcher ties the vertical elements of the piece together, culminating in the lampshade of Sardinian wool thread woven by hand by a Sardinian weaver. The perfect combination of modernity and tradition, the distinctive honeycomb shape of the shade allows for a captivating display of diffused light from every angle. It's also available in a smaller version. for more information, contact the consierge.

Handcrafted for you in Italy in 1-2 weeks
Shipping to Austria: €140 (Curbside)
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Product Details

MaterialTextiles IronDimensions (cm)W 93 x D 80 x H 160Product referenceAVMENU-026Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

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It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.

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