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Spotted Savannah Black Marquinia Marble & Leather Panel

USD 42,360
Ships in 8-9 weeks
Spotted Savannah Black Marquinia Marble & Leather Panel - Main view
Customizable

This panel merges contemporary art with artisanal mastery, featuring a giraffe crafted from soft suede bovine leather, set in Black Marquinia marble. The three-dimensional technique gives the giraffe a sculptural presence, with its spots made from marble and gold-laminated leather, creating a dynamic interplay of materials. The gold foil detailing reflects light adding richness and depth. A statement piece, it suits both minimalist and classic interiors, with an easy, secure installation system.

Handcrafted for you in Italy in 8-9 weeks
Special shipping for fragile products
Shipping to Hong Kong: USD 1,400

Product Details

MaterialMarbleDimensions (cm)W 150 x D 3 x H 240Product referenceATPPCS-009Tearsheet

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Discovering the Artisan

Berdondini 1926

Berdondini 1926

Emilia-Romagna, Italy | Artist

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Berdondini policy is based on 3 important factors: quality of materials, design and story.

BERDONDINI 1926

After some experience in the fields of interior decoration, building and stage-designing, Antonio Berdondini combined these technical skills with the arts of representation; in 1926 he opened his workshop. The first few years were quite hard, not only as a result of the oncoming historical economic crisis, but also because Berdondini was a young man who wanted to emerge from the world of old-fashioned furniture manufacturing to join the new up-to-date culture. At that time Faenza was an extremely lively centre, with a great tradition in the furnishing sector. His first works drew inspiration from what was later to be called “protodesign” by historians. Awards were not unusual for Antonio Berdondini’s craft-firm production: he won prizes and gold medals at the Bologna and Florence Fairs in 1938, 1939 and 1940, for his “New Style” and the high level of manufacturing.

Berdondini developed his qualities not only by attending the regional exhibitions, but also bytaking part in higher level events, i.e. the “Triennale” at Milan and the Monza exhibitions. At the end of the war the workshop was engaged mainly in the restoration of war-damaged furniture.

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