Meet the Artisan: Paolo Polloniato
Walk into the small town of Nove that boasts a rich century-old ceramic tradition and in the magic workshop of Ceramist Paolo Polloniato to discover his utterly contemporary, whimsical and delicate ceramic pieces.
Tell us about your products and what makes them special.
What makes my objects special is the fact that they are created from different pieces of old objects. I create new shapes using fragments of the past. My objective is to conceptually and formally re-use old techniques to express contemporary concepts, while remaining truthful to traditions. To me to innovate means to recuperate and evolve.
Could you describe your production process?
I start by going to several ateliers and historic workshops in my area, where I research molds belonging to different periods and styles spanning three centuries of ceramic tradition. Once I find the shapes that I like, I have raw clay models made and new molds made from them. I gather all the molds to my atelier and I start the decomposition of the different shapes. The following steps of installation, finish, and drying of the new piece are very delicate. Once completed, I bake the object at 1,000 degrees, then glaze it, and then bake it again at 980 degrees to give it its final finish.
How did your company start?
I was born into a family of master ceramists who started their production at the beginning of the 19th century in Nove. I studied at the Fine Arts Academy in Venice and subsequently started making ceramics. But the economic difficulties of my country upset me deeply: I knew that my choice of working in my native land on traditional artifacts wasn’t going to be easy. I moved for a few years to Paris and Brussels and in 2013 I came back home and started producing contemporary ceramics.
Tell us about the history of your company.
My family has worked in Nove for the Manifattura Antinibon, now Barettoni, since the mid-19th century. Many members of my family worked there, including my father who was the last master decorator of maiolica. I chose to be on my own. I create my art collaborating with trusted artisans who help me in the crafting of both handmade pieces and those produced on a larger scale.
Who are the most important people in your company?
The most important people in my company are the artisans with whom I collaborate and who support me in creating my projects.
How do your surroundings influence your work?
The history of the land where I was born and raised is the lifeblood of my research and the development of Nove’s traditions is the foundation of my work.
Are there special projects or collaborations you are particularly proud of?
I am particularly excited about participating at the Ceramics Biennale in Vallarius twice, and three times at the International Ceramics Awards in Faenza. I was a finalist at the Prix European des Art Appliques in Mons, Belgium. I was invited to represent Italy at the European Ceramic Contest in Bornholm, Denmark. In 2014, I participated to the Design Art Basel in Miami with the Gallery Antonella Villanova of Florence. In 2016 I was invited to the Regia Venaria for the exhibition “Fatto in Italia. Dal Medievo al Made in Italy”, in the section dedicated to contemporary art. Among the most interesting projects I have developed lately, I am particularly proud of “Cristallino” with designer Cristina Celestino, for the Fuori Salone 2015 in Milan, for which we made a limited edition project in ceramic and glass.