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Flora Blue-Jeans Anfore Wallpaper

USD 250
Flora Blue-Jeans Anfore Wallpaper  - Main view
Customizable
SOLD

Part of the Flora Collection, this stunning TNT wallpaper will be a refreshing addition to modern interiors with its blue-toned motif of potted plants. Its distinctive artistic mark is owed to the freehand nature of the illustration behind it, which gets here graphically reworked not to miss any detail. More colors are available. Please contact the Concierge for pricing of the vinyl version. Price is per roll (dimensions: W100 x D1 x H720 cm) in non-woven fabric (TNT). Each roll consists of a repetition of the drawing vertically.

Product Details

MaterialTNTDimensions (in)W 39.37 x D 0.39 x H 283.46Product referenceCODEMI-300Tearsheet

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Discovering the Artisan

Memphis

Memphis

Lombardia, Italy | Designer

Editor's Picks

It’s the evening of December 11, 1980. A group of young designers and architects has gathered in Ettore Sottsass’s living room. The record Stuck Inside of Mobile with the Memphis Blues Again by Bob Dylan plays over and over again: thus Memphis was born. A few days later, a revolutionary collection of design objects was discussed and outlined, one which was to take shape over a few months in the drawings of Ettore Sottsass, Aldo Cibic, Matteo Thun, Marco Zanini, Martine Bedin, Michele De Lucchi, Nathalie Du Pasquier, and George Sowden.

The company is now managed by Alberto Bianchi Albrici, who purchased it in 1996 from Ernesto Gismondi, owner of Artemide, after ten years as managing director. The projects designed by the Memphis group between 1981 and 1988 are still produced today in unlimited series, in the belief that design should be understood as a means of communication and not as an expression of elitist art.

As a cultural movement, Memphis continues to influence the imagination of the general public, from fashion to the film and television industry. The liberating spirit of Memphis is still a source of inspiration for young designers today: reflections on the concept of design and furnishing, on their limits and aesthetic possibilities, on their social and communicative function and on the creative and productive aspect, as well as on the economic models underpinning them, are now more relevant than ever.